Given the current pandemic we will not be holding traditional auditions.
If you are interested in being a dancer in one of the GYD Companies’ next year and your DOB is between 2011-2002 please send in a letter of intent outlining clearly
1) The reasons you desire to be in one of the companies
2) what you think you can offer to a company.
Please send this through e-mail to GYD Company Manager Janet Johnson at: email@example.com
The deadline for all letters of intent is June 1.
Explaining the GYD Company selection process:
There are changes to the expectations for the dancer whether they auditioning for the Apprentice I, Young Company or Guelph Youth Dance Company.
This audition is often the young dancers’ first experience being observed and evaluated for something that they are very keen to be a part of. It is part of the experience to feel nervous!
We also do want it to be a positive experience.
For all 3 levels of companies, we need to know the dancer is very committed; auditions- and for 2020-2021- a letter of intent- tell us ahead of time who is interested and shows us who is committed. In addition, the auditions make it clear to the dancer that this is a special opportunity above and beyond their regular dance classes and that you will have to work hard!
You will only be told ahead of the audition time if we have any concerns regarding: irregular attendance or if there were discipline issues during the year, or if a dancer is coming with no prior dance experience.
This is step up from the Apprentice Company with higher expectations. Young Company dancers must have at least 2 years previous dance experience. Most dancers who show commitment, great attendance, kindness toward their fellow dancers and excellent discipline will be accepted into the Young Company. Some dancers may be asked to do some extra classes, such as conditioning and an extra ballet class as mandatory classes in order to be accepted.
Guelph Youth Company Auditions
In the Guelph Youth Company, we strive for excellence and a high level of professionalism. The Guelph Youth Company has been invited to tour internationally and work with a variety of guest dance artists. For this reason, only those that show a high level of training, commitment, peer support, punctuality and attendance will be accepted.
Dancers may be asked to join the company under the condition that they do extra training or may be asked to take on the role of Understudy.
How it works:
A guest teacher is brought in to teach a contemporary technique class. Janet Johnson, Catrina von Radecki and Kelly Steadman are all present at the auditions to observe and take notes. Though all three teachers often already know the dancer auditioning, this is often the first time that we see them together with the dancers who will make up the company. Though a dancer might be doing fine all year, this comparison with the other dancers may affect our decision on how they are placed. The decision as to who is accepted into each company is made by the three teachers after discussion and reflection.
We hope that dancers will take all decisions as incentive to continue to work hard and to inform them on what specific skills they may be need to work more towards.
Please note that due to Covid-19- letters of intent will be used to access all dancers rather than the above mentioned audition process.
Role of the Understudy:
Despite having a strict policy that asks for commitment from dancers, sometimes it is unavoidable for dancers to miss rehearsal. As choreographers are given a very limited time to create and perfect a work, it is essential that they have all bodies in the space each week. An understudy will fill in for a dancer who is missing. This role allows for extra training in learning movement material and seeing the piece as a whole.
An understudy may also be asked to fill in during a performance if a dancer is injured or sick. The understudy must always be ready to perform!
Please note that the understudy role is for company rehearsals only and not for any of the company classes (ballet, contemporary, jazz, etc..)
What does an understudy do during a rehearsal?
- Always thinking of ways to support the choreographer and the work. Pre and post check ins with the choreographer to ask how you might be most helpful today.
- Learn movement material which the full group is doing as well any specific roles that you are asked to learn. You should also be documenting, taking notes, learning counts, etc..
- You may be required to meet with dancers outside of the regular rehearsal times in order to learn movement material
- You may work directly with the Rehearsal Assistant to learn parts.